Tourette's film nominated for six BAFTA awards
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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Scream lovers will notice the reprisal of songs like Nick Cave and the Bad Seeds' "Red Right Hand" and a slow, sexy cover of Blue Öyster Cult's "Don't Fear the Reaper," the latter playing over the teen heroine kissing her boyfriend (like mother like daughter). There's also a cheeky nod to Scream 2, thanks to a framed photo of Tori Spelling, who canonically played Sidney in the first Stab movie. And content creators who love horror will relish doing shot-by-shot comparisons, as Williamson wisely apes director Wes Craven's iconic cinematography from the first Scream. Then, this sequel makes terrific departures from the franchise's weakest points.
Friday evening is a great time for tinkering with a side project after a long week. You pour some tea, open your laptop and navigate to your project, only to find a red banner across whole app placed by the browser saying “Deceptive site ahead”.，详情可参考搜狗输入法2026